Tule Author Q&A: Leah Vale shares on happy endings, her pup, and her influencers!

Leah Vale stopped by the Tule blog to do a rapid Q&A for our Tule readers!

With her newest series for Tule, Grit and Grace, coming out in the 2024 release schedule, readers will be thrilled to read more happy endings from her strong cowboys.

 

 

 

 

 

 

You mentioned that you’ve never met an unhappy ending you couldn’t mentally “fix.” Can you share a memorable instance where you reimagined an ending to create a happier outcome?

The easiest and most obvious answer is the movie Titanic. I mean, come on, just get on the door, Jack! There was room for both of them. At the very least take turns! As a child, I mentally rewrote Black Beauty so no horses died. 

As a native of the Pacific Northwest now living in Central Oregon, how do these locations influence the settings and atmosphere in your romance novels?

I have found getting into a cowboy/cowgirl state of mind far easier while living on the high desert of Central Oregon. Plus, the often heavy snow fall in the winter is great inspiration for writing Christmas stories. 

How did your B.A. in Communications from the University of Washington prepare you for a career in writing romance novels?

Learning how to write in all those Journalism classes was a big help. Granted, I’d graduated with the hope of writing advertising copy. The shorter, the better. But it turns out I have a lot more words in me, and fictional stories in my head, than expected. 

Your golden retriever sounds like quite the character. Does your dog inspire any characters or scenes in your books?

I one hundred percent base any dog I write into a book on my dog. Any creature with such a massive capacity for love, loyalty, and all-around happiness deserves to be represented in a book. And despite how creative I try to be, I simply can’t make up some of the goofy things a dog will do. The same is true of horses. The quarter horse mare I grew up on inspires all the horses I write.

Creating “happy endings from scratch” is a dream come true for you. What do you find most rewarding about writing romance novels?

I love conquering the challenge of bringing two people who are in opposition, often bearing wounds from their pasts, together in a deeply satisfying way. Especially when I can find a way for them to help each other grow beyond their past hurts to be the best versions of themselves, together.

With a busy writing schedule, you mentioned that dinner often comes premade from the store. How do you manage your time between writing and daily life responsibilities?

I love me a good meal delivery service. It’s so nice to have either the completed meal or at least all the ingredients left right on my door step. Though, I have to admit that even with the luxury of food delivery, the closer I am to a deadline, the more my house resembles a fraternity, over-flowing with energy drink cans and pizza boxes, and the more in need I am of a consistent exercise routine. I’m working on it.

What is your process for developing characters who resonate with readers and drive the story towards a happy ending?

I have always been a huge fan of character and conflict charts that help me build my characters and the journey they will need to take to find happiness. Whether or not I actually use them is another matter. Also, my long-time critique partner, Terri Reed, has introduced me to Enneagrams. It’s really fun to use the test to discover which of the nine personality types, or what combination of them, the characters in my head fit into. Sometimes, though, nothing beats a good game of “What if?”

Can you share a particularly heartwarming piece of feedback you’ve received from a reader and how it impacted you?

I will never forget one actual letter I received from a reader who shared with me that one of my books had made her laugh and brought her happiness during a particularly low time in her life. I have never felt so honored.

What inspired you to pursue a career in romance writing, and who are some of your biggest influences in the genre?

Like many writers and readers of the genre, I grew up reading romance. Starting with my mom’s Harlequins then moving on to thick historical romances. They are the type of stories I’ve always had in my head. And when life gets hard, I really appreciate a happy ending. 

In the beginning of my writing career, I was influenced by greats such as Johanna Lindsey, Betina Krahn, Susan Elizabeth Phillips, and Susan Wiggs. All wildly talented authors who crafted characters with such life and depth. Now I want to be Kristin Hannah when I grow up.

What advice would you give to aspiring romance authors who are passionate about creating happy endings in their stories?

The advice I give the most is the one I prescribe to myself—take any opportunity to learn the art of telling stories. Learning how to structure a story that will transport the reader into the world you create is an ongoing process for me. I’ve even delved into screenwriting to help me develop stories that will keep readers turning the page. 

Another piece of advice is simply you’ll never know until you try. Then try again. Each book you write teaches you something and furthers you on your journey.

BONUS: What is one book that you would consider to be your comfort read that you will always reach for?

Anything by Susan Elizabeth Phillips. 

 


Summer Romance Releases for Hot July Summertime Reads (Plus a Giveaway!).

GIVEAWAY: We will pick ONE winner to receive a digital book of their choice from the July romance releases. Comment down below saying which book you’re looking most forward to reading! Giveaway is open INTERNATIONALLY. The winner will be randomly selected and announced at the end of the month.

Check out our new romance releases for July!

Summer Heat: A Sexy, Steamy Summer Romance Anthology
Texas Forged by Eve Gaddy | Hot Mess by Amy Andrews | Nursing the Flame by Shelli Stevens | Her Texas Ex by Katherine Garbera |Strictly Off Limits by Stella Holt | Catch Me by Michele Arris
Release Date: July 2, 2024

Rumors, Ruin and the Duke by Karla Kratovil
The Lost Lords, Book 1
July 11, 2024

Forgiving Her First Love by Dani Collins
Raven’s Cove, Book 2
July 16, 2024

One Lucky Cowboy by Kristine Lynn
Marshall Brothers Ranching, Book 2
July 23, 2024

Hot, Hard and Impossible Cowboys: Anthology
Most Dangerous Cowboy by Megan Crane, A Doctor for the Cowboy by Amy Andrews, The Cowboy’s Redemption by Paula Altenburg, The Rebel and the Cowboy by Sarah Mayberry, Her Cowboy Baby Daddy by Jeannie Watt, The Cowboy Doctor by Leah Vale
July 29, 2024

Sworn to Defend by Charlee James
Sworn Navy SEALs, Book 3
July 30, 2024

Bear’s Heart by Jane Porter
The Calhouns & Campbells of Cold Canyon Ranch, book 2
July 31


Tule Author Q&A: 10 questions with Janine Amesta discussing her film background, writing, and jigsaw puzzles

Headshot of author janine amestaAuthor Janine Amesta gave us a chance to catch up with what she’s been up to and ask a few questions about finding her writing inspiration, connecting with her characters, and what it felt like when she landed her first publishing contract with Tule!

 

Moving from California to the high desert of Oregon must have been quite a change. How has this transition influenced your writing and creativity? 

It was not only a location change but a lifestyle change as well. I’d been living in Los Angeles working in the film industry for awhile. So I’d gotten used to being in a large city with lots of people and things to do and then I found myself in an area that’s very outdoorsy with lots of rugged terrain and places to hike to. I loved living in LA but I think I was transitioning to a new phase where I kind of enjoyed being a bit more secluded from a busy world. But it was definitely an adjustment because I moved to a new area without any connections, no family and no friends…except the one who I had come with. This means that I got a lot of time to think and I started writing again. Maybe it was a way to make my life feel fuller because now I was wrapped up in the lives of my new imaginary friends: my characters. They became as dear to me as anyone. 

Can you share the story behind your first published novel with Tule Publishing? How did that partnership come about? 

Man and woman embrace at sunsetMy debut, Striking Gold, was actually the fourth novel I had written. The other three are even in the same universe but still unpublished. I remember when I finished Striking Gold, I had told my husband that THIS story was special, that it would be the one to get me an agent. And I was right! Of course, I didn’t predict that it would also land me a publisher. I was afraid to hope as high as that. No one was more thrilled than me when I got an email from my agent that Tule had read my book and loved it. Nothing feels more amazing than for other people to see your story, connect with it, and feel that it’s something special too. Ross and Mia’s story will always be characters that will have a special place in my heart. I wrote it because I always wanted to do my own version of Jane Austen’s Persuasion in a location that I adore, which is Placerville, Ca.

You studied screenwriting in college, but your thrillers ended up with too much flirty banter. How did this unique blend of thriller and romance shape your style as a romance author for Tule? 

I’m sure I was annoying in my early screenwriting/filmmaking days because I wanted to be very serious with serious taste in movies. And, in my mind, that meant I was writing gritty thrillers and not romances. But I’ve always been a person who’s liked really snappy dialogue and you can have this regardless of the genre. And it’s true that maybe my focus was more on the banter because that’s where I was having fun. I like writing scenes where two characters are really connecting and playing off each other. When I started writing again, after moving to Oregon, I decided that I was only going to write what was fun for me and it ended up being romance. But I still take a lot of what I learned from my screenwiting (and also video editing) days in crafting a story, putting together scenes as I would a movie. Some people think writing romance is easy and fluffy but it’s really not easier than any other genre. And like writing a thriller, you still need to develop tension either between the characters or in the plot. This is building up anticipation and you want to do that so that when a happy moment does happen it feels rewarding to the readers. 

Your cat, Hitchcock, has a very intriguing name. Does he influence any of your characters or plots? 

Hitchcock the cat is named after the famed director, back from when I watched a lot of his movies during my gritty thriller days. When I was still living in L.A., this cat had been abandoned by his previous family when they moved away and then he just started coming to my place, making himself at home. This is definitely a situation where he adopted us, and when we moved to Oregon I had to take him with me. I think because of Hitchcock, I love to write storylines about people who didn’t intend to get a pet, but find themselves with one anyways. It’s a good way for characters to connect to something, even if they have trouble connecting to other people.

As a master at jigsaw puzzles, do you find that this skill translates into your writing process, particularly in building your character relationships? 

Hmm, I’ve never really considered it. Maybe. I’ve always enjoyed doing jigsaw puzzles. I think the biggest thing you need to do is pay attention to the details, especially for difficult puzzles. Maybe you’re looking for the one piece that has the smallest speck of yellow on it— like there’s the larger picture, but you’re trying to pay attention to the smallest details for fitting pieces together. When I create characters, I want them to feel as real as possible, so developing little details is important. That one piece with a little speck of yellow may seem insignificant now but it could be quite significant later. It could explain why a character acts the way they do. It can trigger a fight. It could change everything. 

Embroidery is a detailed and patient craft. How does this hobby reflect or contrast with your approach to writing? 

Writing is so labor intensive for my brain. It can seem like I’m just sitting and staring off into space, but there’s a lot of thought manpower going on. After a long writing session, I can be exhausted. Hand embroidery, like jigsaw puzzles, is a way that I can let my mind settle. It relaxes me and I don’t have to think about anything else. And it’s usually during these periods that I might be struck with some kind of inspiration or a way to solve a writing problem. But even if it doesn’t, that’s okay too. I think it’s important to let your brain rest and not be working it all the time. Sometimes you want to be creative in other ways and it’s good to have a hobby. 

Critiquing bad movies on Twitter sounds like a fun pastime. How does engaging with different storytelling styles and tropes in movies influence your own writing? 

I think because of my filmmaking background, I’ve always believed that good storytelling is good storytelling, regardless of the genre. And I’ve always had a varied and eclectic taste in what I’ll watch…which is pretty much anything and everything, even movies that are deemed “bad.” So I’ll watch romance or horror or documentaries or science fiction, old classics and new movies. Sometimes I feel like I’ve seen most movies out there, and I think it’s important to try other genres because it makes you well-rounded. And what you realize is that all genres have tropes and some of these tropes make genres more similar than different. There’s no rules that say you can’t take those different tropes in other genres and add it to romance. In fact, romance might be the most flexible genre because as long as the characters get together at the end, you can do anything else. You can put the characters through the wringer, you can experiment. All that matters is that you give it a happy ending and, luckily, there’s a lot of ways to get there. 

How do you balance creating moody, suspenseful atmospheres with lighter, flirtatious dialogue in your novels? 

I wouldn’t necessarily describe my romance novels as suspenseful but the plot can sometimes get dark, heavy, or emotional. And it can be hard to balance that as I don’t like to go heavy for too long. I always want to give this sense that there’s light mixed in with the dark. Usually, the darkness is the situation and the lightness is the characters. They help balance each other out. And even though I like the lighter parts and the flirty banter, it’s usually when the characters are working through a difficult part, that they’re growing as a character or their relationship is developing. I like to see romance as a cake. You can’t have all frosting. You need the cake for substance and you need the frosting to give it extra flavor. In a book I’m currently writing, a character is going through a heavy moment of grief and it’s easy to fall into a sad trap. But then she remembers something ridiculous and suddenly the moment becomes really light and funny. As someone who is very familiar with grief myself, it feels very true with how it is, where one moment you’re crying and the next you’re laughing at something silly. I think it’s what makes us human and I want my stories to feel the same way.

What’s the most rewarding feedback you’ve received from a reader about your romances, and how did it impact your work? 

Hmm. I actually haven’t heard from too many readers. I’m always open to hearing from more! I think the comment I enjoy the most is that my book’s humor catches people off guard, like they don’t expect things to be as funny as they are. I’ve grown up in a family that has a very dry sense of humor so I think this comes across in my story telling. I can write the most ridiculous things in the most serious tone while adding a subtle wink. People that connect with that are my kind of readers and it always makes me happy when they find me. All my romance books tend to have this same kind of vibe because it’s what I enjoy. 

What advice would you give to aspiring writers who are trying to blend different genres or elements in their stories?

You’re not going to know if something works, unless you try it and that means actually writing it. And there needs to be a reason for it so it’s best to figure out the story you want to tell and who your characters are that will help you tell it. Character development is always important, and the more developed and detailed they are, the more they’ll feel specific to the story. It should feel like only these characters would ever be in this particular story because they’re so connected to it. And even if you try and decide it doesn’t work, that’s okay too. At least you’ll learn for the next time. Or you can be like me and just write for your own amusement. 


Rebecca Crowley hints at her favorite sport in recent release “Last Dance with the Texas Bull Rider”

Confession time: I’m not much of a sports fan.

I don’t follow any professional sports, dip in and out of college football, and vaguely keep an eye on Arsenal in the UK, because it’s my husband’s favorite team. There’s only one sport I keep track of with any regularity, and it’s not one most people are familiar with.

Bull riding.

That’s right! There’s not much that’s more relaxing – in my world anyway – than watching men in cowboy hats get flung off thousand-pound cattle. I don’t know whether it’s the simplicity, or the high stakes, or the tight Wrangler jeans, but bull riding is a sport that I’m always happy to watch.

That’s why I’m excited to introduce you to Caleb “Calamity” Ross, the hero of my most recent Tule release, Last Dance with the Texas Bull Rider. Caleb has reinvented himself from obedient son to reckless bull rider, and the last thing he wants is to be tied down. But when he wakes up from a bull-riding wreck at the Fourth of July rodeo in Last Stand, Texas, his past comes crashing back.

Jessa Star is a perfectionist. A former professional ballerina, she has returned to her hometown of Last Stand to open a dance studio and hopefully find the perfect man to share her perfect life. Until a decided imperfect man from her past shows up – oh, and it just so happens they’re married!

Jessa and Caleb made a spontaneous decision in Hawaii, but the marriage that resulted is a lot harder to shake off. But while Caleb recovers in Jessa’s home, their connection is hard to ignore, even though their lives are headed down totally different paths. The clock is ticking as their divorce looms, and suddenly eight seconds on a bull seems like a walk in the park compared to the bumpy ride ahead for these two.

I hope readers will enjoy this opposites-attract, waking-up-married romance! Last Dance with the Texas Bull Rider is the third book in the Stars of Texas series, so keep your eyes peeled for the next installment!


About the Author.

Rebecca Crowley inherited her love of romance from her mom, who taught her to at least partially judge a book by the steaminess of its cover. She writes contemporary romance with smart heroines and swoon-worthy heroes, and never tires of the happily-ever-after. Having pulled up her Kansas roots to live in New York City, London and Johannesburg, Rebecca currently resides in Houston.


Two Cozies + One Thriller = Tule’s July Mystery Releases!

Need a new mystery? Why don’t you check out our two newest cozy releases coming out this month and maybe add our latest thriller to your TBR list!


Join Rebecca and Aneksi in this engaging and humorous cozy mystery as they unravel a tale of murder, mystery, and mayhem while discovering more secrets in Citrus Grove.

Rebecca Cuthbert, no stranger to false accusations, rushes to defend her baker best friend when she’s accused of murdering Citrus Grove’s Elvis-loving mayor with a deadly petit four.

But Rebecca recognizes the real clue: this death is the work of the Emerald Scarab, one of the cursed artifacts she vowed to track down after it was stolen from her grandfather’s quirky antique shop.

Now she must navigate a peculiar maze of clues and enchantments, aided by her grandfather’s wise counsel and the scattered recollections of an immortal talking cat, Aneksi, who once encountered the scandalous scarab in Cleopatra’s court. With each revelation, her search becomes a frantic race to find the killer and the amulet before they can hurt anyone else.

But her meddling puts her in the killer’s path, and Rebecca must rely on her fledgling investigative skills to save her friend from jail and herself from becoming the sleepy Southern California town’s latest murder victim.


Instead of walking down the aisle, the bride is suspected of murder…. 

Maddie Bell’s life and career have hit peak stride. She’s sold her cozy mystery series and is contracted for two more books; she’s engaged to Hemlock’s chief of police; and her mother has purchased and restored the beautiful historic mansion, Gracewood Hall, in their hometown of Hemlock, North Carolina. Three generations—Gigi, Maddie, and Jenna–are now happily engaged in the wedding and special event business.

But their highly scrutinized inaugural event—the wedding of an A-List social media influencer—becomes a murder scene before the rehearsal dinner. Kate Archer, the professional bridesmaid Jenna hired, is found bludgeoned by a bottle of Veuve Clicquot, not only threatening their new business, but also sending Jenna into a tailspin of guilt. She knew Kate from college and had begged her to fill in as the maid of honor.

Even as the police warn Maddie not to interfere with the investigation, mother and daughter set out to discover who killed Kate and dispel the growing rumors that Gracewood Hall is cursed.


In the deadly future after the second civil war, the United States is divided and dangerous…

Agent Heather Slade is a beautiful well-crafted fake. A perfect lie. A highly-trained asset with no country, no memory, and no home. She spies for a secretive group of Revo agents from the democratic Free States and fights against the crushing power of the charismatic authoritarian leader who controls the militant Patriot regions. Risking her life, she infiltrates top levels of the brutal government and lives deeply under cover with her enemies.

Heather’s current mission is to smuggle a package from under the President’s nose onto a highly guarded golden train and bring it to safety in the Free States. Her partner on the perilous journey is a handsome but inexperienced foreign agent with secrets of his own. Why is Miguel Robles so hauntingly familiar? He might hold the key to finding the family she no longer remembers—if they survive the mission.


World building and character evolution play large roles in Leigh Ann Edwards’ latest installment in her Witch and Demon Hunter series.

I’m happy to be on the Tule blog today to talk about Dark Knight’s Kiss, book three in my Witch and Demon Hunter series. I’ve been working toward meeting a deadline for the fourth book in this series and finally submitted the manuscript after having to get an extension. Phew! Now I wait to hear what my developmental editor thinks. No matter how many books an author writes (this is book 24 for me) that’s somewhat nerve-wracking. An editor can love it and think your manuscript requires minimal edits. But on occasion there are problems and major editing is necessary. 

I very much appreciated a quick Q&A topic for this blog. I have a definite case of what I call book-brain. (Where your mind has been maxed out and it’s sometimes hard to form full thoughts much less be creative.) 

What inspired the new direction or themes explored in this latest installment of your series?

I’m not sure it was an inspiration, but I’ve always loved Halloween. As a child, my mum made some great costumes for me and my three siblings. I was excited to carve pumpkins into jack-o-lanterns and go trick-or-treating in the town where I lived. It was so small. How small was it? Small enough you could go to every house in about an hour and that was back when people made you sing before you got the treat. Those popcorn balls and caramel apples were so worth it. Yes, I’m that old. 

I enjoyed hosting Halloween parties with my daughters when they were young. We decorated the whole house––even the bathroom. When they were teenagers we made the decorations and games a lot spookier. I still look forward to handing out treats, and seeing my grandchildren in their Halloween costumes. I don’t make anyone sing, but I also don’t make popcorn balls or caramel apples. 

Although Dark Knight’s Kiss isn’t being released in October, or a Halloween themed book per se, I thought it would be fun for Fiona and Lorcan, the main characters, to attend a company Halloween party. 

LAMB, the agency they work for (locating and assessing magical beings), employs people with supernatural abilities, thus everyone had to know it wouldn’t be a typical Halloween celebration. Especially during the night when the veil between worlds is thinnest and Fiona, a witch, and Lorcan, a half-demon, can both see ghosts. I haven’t even mentioned the venue is a remote historic inn near an old burial ground. 

Dark Knight’s Kiss begins at the Halloween party. They’re also celebrating Lorcan’s birthday. It turns out to be an interesting night and what happens there forms the plotlines for the entire story. 

Can you share any insights into the world-building process for this book? Were there any particular challenges or exciting discoveries along the way?

Because this is the third book in the series, a lot of the world-building has already been established. The main characters and most secondary characters have been introduced, with a few new people or magical beings added in each installment. 

Fiona and Lorcan also live in modern day Boston making it’s easier for readers to envision the world they live in. However, because they’re time travelers, I enjoy creating the places and times they visit. For this book some research regarding knights was required–– their armor, weapons and history. I also had to learn a little about medieval/gothic architecture.

One part of the story was particularly intriguing for me as Lorcan and Fiona journey to Camelot and meet Merlin, the magician. I wish I’d been able to write a longer storyline in Camelot but staying within allotted word count is always a struggle for me. 

How do the characters evolve or face new challenges in this book compared to previous instalments?

That’s a great question. One, that I’m trying to figure out how to answer without giving too much away. In book one, Dark Irish Demon, Fiona and Lorcan initially adamantly oppose being forced into a partnership. In book two, Highland Dark Magic, after a few bumps, they learn to work together. They’re now LAMB’s best team. Although they’re complete opposites in nearly every way imaginable (Fiona is more stand-offish and Lorcan’s the in-your-face type for starters) they’ve become close friends. 

Something happens in this book that turns everything around changing and challenging every aspect of their relationship. But it also moves it forward. 

In this instalment, readers also meet, or for those who’ve read my Witches of Time series, they are reunited with Cal and Ainsley, Fiona’s son and daughter-in-law. Fiona and Lorcan journey back to post Civil-War Boston where Cal, Ainsley and family live. 

Fiona is shocked to learn Cal and Lorcan have history and they are not on friendly terms. Since her family isn’t even aware Fiona works for LAMB (they think she runs an apothecary shop in twenty-first century Boston) a lot of secrets are revealed that create drama and more conflict. 

Are there any key plot points or character arcs in this book that you’re particularly proud of or excited for readers to experience?

Wow! Is that a loaded question and also one I have to tip-toe around not to give spoilers. I would never want to downplay the previous books in the series in any way, because they’re great stories and vital to how everything plays out, but the plot points and character arcs in this book are pivotal. 

I’m super excited for readers to experience what happens in this installment. ARC readers have been reaching out telling me their thoughts which is always rewarding to an author. I’m dying to say more, but I can’t. 

As far as character arcs, the hero and heroine have changed a lot, but Lorcan more noticeably. They grow immensely in Dark Knight’s Kiss, but I’m particularly proud of Lorcan’s character arc. 

Without giving away spoilers, can you tease any upcoming developments or hints about the future direction of the series that readers can look forward to?

I’ve struggled with possible spoilers in the previous questions so that might be a challenge. I’ll just say, Lorcan and Fiona’s relationship is constantly changing and will continue to surprise readers. 

It even surprised me, right from the beginning. I don’t believe I’ve ever written characters who simply ran with the storyline. I feel like I’m mostly just along for the ride. 

That said, I had to reel them in a little in the next book. Having magical abilities, going back in time, and dealing with often monstrous creatures is never smooth-sailing. But in Ghost Ship’s Dark Spell, Fiona and Lorcan are in for some rough seas. Is that enough of a tease?

I’m looking forward to being back here in September to talk more about book four and the Witch and Demon Hunter series. Until then have a wonderful summer making memories.

Magical wishes,

Leigh Ann


About the Author.

Leigh Ann Edwards’ fascination with history, romance, magic, fantasy, time-travel and Ireland sparked her interest in creating the Irish Witch Series and her growing collection of published novels. Growing up in a very small Manitoban village on the Canadian prairies left a lot of time to create stories and let her imagination soar.

An author for nearly thirty years, Leigh Ann has almost completed writing her fourth series with Tule Publishing and will soon begin a fifth. Besides writing, Leigh Ann loves spending time with her four grandchildren, reading, traveling, doing intuitive readings and reiki. Leigh Ann and her husband, their two cats, one large dog and their Boston Terrier puppy, live near Edmonton Alberta, Canada.


Tule Author Q&A: Susan Lute chats about her childhood adventures, her passion for history, and her love of dragons!

Susan Lute decided to stop by the Tule Blog to chat about finding time to write, her inspiration for her stories, and how her childhood adventures fed into her becoming a writer.

Your childhood as part of a military family must have been quite an adventure. How has this nomadic lifestyle influenced your writing, particularly in creating bold and brave characters?

Up until I was 12, moving from base to base and the military was all I knew. I loved it. Except that I now have a family and home, I would still move to a new place at the drop of a hat. What that means for my heroes and heroines is that often they are both strong-minded and generally not afraid of what chance throws at them. One of them is sometimes former military and one doesn’t know how to stay in one place. And they have a lot to overcome to discover who they are and who they would be if they gave someone their heart. The thing they have to learn is that falling in love and putting down roots doesn’t mean they have to change who they are or that they have to give up everything. They just know themselves better. They find a way to be happy and when they do that, they can “bloom where they’re planted” (as my mother used to say).

You have a passion for ancient history and myth. How do these interests weave into your contemporary romance, women’s fiction, and romantic fantasy novels?

My passion for ancient history and myth shows up predominately in my fantasy romance (romantasy) stories. I’m working on a series about post-apocalyptic dystopian dragons set in the future where humans and dragons are struggling to survive against an evil that will do anything to take over what remains of their civilizations.

Being an award-winning author across multiple genres is impressive. What are the unique challenges and rewards of writing contemporary romance versus romantic fantasy?

I love this question because I don’t have a straight answer. I started out writing contemporary romance. My first published novel, Oops, We’re Married?, was a HOLT Medallion Finalist and Reader’s Choice Nominee. Logan: The Shadow and the Pen Dragon recently finaled in the HOLT Medallion Contest. The challenge? Writing a story that speaks to my heart and creative mind, then stopping long enough to enjoy completing the stories. The rewards? Finishing the story and finding that judges and readers love them as much as I do.

Dragons feature prominently in your bio. Can you tell us more about your fascination with them and how they inspire your stories?

It’s a funny story. Kind of. My agent was shopping around a women’s fiction novel I’d written—to this day it’s still one of my favorites—and it garnered a lot of interest. At the last minute, the market went out from under women’s fiction and the publisher decided not to buy. This is not an unusual story, just one of the things that can happen to a writer. Anyway, obviously I was disappointed, so I decided to give up contemporary romance and try my hand at something new—a story with my favorite hero (a mercenary), heroine (a thief), and favorite place (a bar and gathering place, in New Orleans). I hopped on a plane to visit my husband who was training in Oklahoma and started writing. Immediately, my mercenary was a dragon, the time—a future when civilization had been destroyed by an alignment of the solar system with the center of the Milky Way Galaxy. Ever since dragons have been my thing. I have a lot of dragons in my house. Dragons are strong. They fight against evil for what is right. No matter what, they don’t give up. I will probably always write about them. Oh, and PS… yes I wrote more contemporary romances.

With such a busy lifestyle, how do you find time to write, and what does your writing routine look like?

I am a believer in making time to write. Not to say I’m always good at being consistent and not getting distracted, but I try. I’m a retired nurse and a morning person, so I write three hours a day (in the morning) and if I don’t get my pages in (my goal is three pages a day), or have things to do like Q&As ( ;-D ), promotions, marketing, and all the other things that go along with publishing a book, I come back in the afternoon for a few hours. I don’t write in the evening. That time is reserved for my husband.

Traveling is one of your favorite pastimes. Do you have a favorite destination that has inspired a story or character in your books?

I love to travel. One of my favorite places to go (besides Bath and Oxford, England) is the Oregon Coast. Angel Point is inspired by Cannon Beach, Oregon, and Strawberry Ridge, my current series, is inspired by Durango, Colorado. My characters are all made up. There may be an occasional aspect of, for instance, my mom, a tough cookie who made some mistakes, but always kept going. She never settled in one place for long.

Gardening and remodeling your house are quite hands-on activities. Do these hobbies provide a creative outlet for you, and do they ever influence your writing?

Gardening and remodeling are activities that let me breathe and take some time away from writing, especially my contemporaries. The creative juices need a break, you know? You’ll almost always find a serene garden somewhere in my books.

You mention that your house is finally starting to feel like home after thirty years. How has creating a home environment impacted your writing process and creativity?

My husband will be the first one to tell you that we moved twenty (or was it twenty-two?) times in our first five years of marriage. When we bought this place thirty years ago, every time I came home from a trip, I swore we would be moving “soon”. I can write anywhere, but I think it’s the search for home that has always surfaced in my books. Now that this place has become my unfinished sanctuary, I’m thinking it will be finished in the not-too-distant future.

Can you share a particularly heartwarming story or feedback you’ve received from a reader that has stayed with you?

This is my favorite review:

“Susan Lute is a beautiful keeper of the human heart. She explores the soul and leaves the reader certain life is worth the journey.” – Wendy Warren, Nationally Bestselling and Two-Time RITA Recipient.

This is why I write and remember these kind words every time I start a new story.

What advice would you give to aspiring writers who want to write across multiple genres like you do?

Marketing and promotion are hard work. Much harder, I think, than finishing a book. So choose to write, even though in today’s publishing world you will be expected to do much more to get every story you publish out there. Readers gravitate toward the novels that make them feel better. Sometimes, that means they are reading a lot of the same genre, contemporary romance, sci-fi, fantasy, etc. I read across all kinds of genres. My advice is just to write the story you are inspired to write. If it’s a series or in the same genre as your last book, that’s okay. But if it’s in a different genre, that’s okay, too. It’s the story that counts; the one that you want to tell. If your heart is pleased when you’re done, and if you’re lucky, you will gather an eclectic group of readers. For me, I couldn’t ask for more.

BONUS: What is one book that you would consider to be your comfort read that you will always reach for?

I have read Anne McCaffrey’s Crystal Singer trilogy three or four times. And despite seeing the movies more than a dozen times, I’m just finishing my third reading of the Harry Potter books (print copies are the best). All I can say is I love these books.


Tule Author Q&A: Paula Altenburg talks on her successes and inspiration for her stories

Paula Altenburg popped by the Tule blog to share some insights to her writing process, touch on her writing inspiration, and give us a glimpse into a future project with Tule!

Transitioning from a career in aviation and aerospace to writing contemporary romance and fantasy is quite a shift. What inspired you to pursue writing, and how has your background influenced your storytelling?

This is a hard question! I don’t think I pursued writing—writing pursued me. Story ideas are no problem because there’s a voice in my head that’s constantly whispering, “What if?” Sticking with a project to the end is the far bigger challenge, but I’ve learned to take pride in my work. A demanding day job has taught me two things—treat writing like a professional career and create a professional product to be proud of.

Living in rural Nova Scotia sounds idyllic. How does your environment influence your writing, especially in terms of setting and atmosphere?

I had this talk with a writer friend recently. I will always and forever be a country girl, whereas she’s a big city girl, and it really shows in our work. I write cowboys because I know small towns inside out. The same when I write fantasy. I stick to rural areas—the few times I’ve tried a city setting, the atmosphere I was trying to create didn’t ring true. My friend finds the same. She’s tried cowboys, but her city settings work much better for her. Unless you have a deep curiosity about an unfamiliar setting and are willing to put in the work to bring it to life, I don’t believe it will carry onto the page. At least, that’s how it is for me. I can Google setting details, but atmosphere is a whole other thing.

As a USA Today Bestselling Author, congratulations on your success! Can you share some of the key moments or milestones in your writing career that you’re particularly proud of?

The thing I’m most proud of? Always being willing to learn. You’re never too old or successful to learn something new—about craft, about business, about publishing trends. What’s the new hottest genre? (Right now, it’s romantasy.) What’s the next hottest trend? (I have a prediction on that in my head.) How can I add more detail to a setting? What would motivate this particular character? I’m also proud of my story ideas. I don’t want to copy someone else’s ideas or follow trends blindly. I want my work to stand apart.

You write contemporary romance and fantasy with romantic elements. What draws you to these genres, and do you find any common threads between them in your writing?

Right now I’m focused entirely on contemporary romance. I have a fantasy in the works, but it’s going to have to wait until I can give it the attention it deserves. The common denominator between my contemporaries and my fantasies, I’ve discovered, is the setting, because other than that, they’re worlds apart. (See what I did there?) I tend to focus on the characters, so both genres are deeply emotional, but with the contemporaries, I like to add more humor. I like to take the ridiculous and make it believable. That’s probably another similarity between them, but expressed differently—in my fantasies, I like to take the fantastical and bring it to life.

How do you engage with your audiences and what do you enjoy most about interacting with readers?

Engage? Interact? It’s like you don’t know me… I’m as big an introvert on social media as I am in real life. Facebook is my hangout online. Unlike most people, I don’t go out of my way to friend others. If I send you a friend request, check first to see if I’ve been hacked before you accept. If you send me a friend request, I will check out your profile before I accept. (Only because I want to make sure that you’re human.)  But once I accept, I will follow you faithfully. I look at your posts. I like them or send hugs, depending on what they require. Occasionally I’ll comment, but I’m not nearly as funny as I like to think I am, so I try not to say too much. But if a reader sends me an email through my website to tell me how much they liked one of my books? Fair warning. I will respond to the point you’ll have to block me. I’m like the boring guy at the party you made eye contact with and now can’t get away from. 

With a husband and two sons, how do you balance your writing career with family life? Do your family members ever inspire characters or plotlines in your books?

These days, my sons occupy my thoughts more than my time. (I really need to update my bio.) However, having said that, I do have a day job that I really like. (And a husband I’m passingly fond of.) I get to work from home and my bosses are lovely. They don’t mind that my career is my writing. But I learned early on that writing every day isn’t for me. I need to think about things. I get up at 5 am, write/think about writing for a few hours, work at the day job, go back to thinking or reading. The weekends are when I try to get actual words on the page. I try to keep family and friends out of my work, but at the moment, I have one son who’s making that really hard.

What are some of the challenges and rewards of writing fantasy with romantic elements compared to contemporary romance?

This one’s an easy question. In fantasy, I love being able to set my imagination loose and create my own worlds. (I do the same thing in contemporary romance, but reality interferes.) The challenging part about fantasy worlds is having to make them seem real, because, interesting fact—readers can’t see inside my head. I have to make them buy into what I create.

Are there any particular themes or messages that you strive to incorporate into your novels, regardless of genre?

A good story will usually have at least one message/theme, possibly more. I don’t always start out with anything particular in mind—each book is different, and the characters and their circumstances usually make those decisions for me. The book that really stands out for me is my first Grand, Montana story (it’s also one of my USA Today bestsellers!), The Rancher Takes a Family. Jake McGregor isn’t in touch with his feelings, but when his sister and brother-in-law are killed in a plane crash and he finds himself the guardian of three very young, very lost children, he doesn’t question the need to step up. He knows the right thing to do. The message is family first. Because he discovers firsthand how devastating it is to lose a big part of one. 

What advice would you give to aspiring authors who are looking to pursue a career in writing?

Never forget the importance of craft. You can have the greatest plot ever, but in today’s competitive world, polishing up the little details will set your work apart. Also, always pay attention to innovative ways to earn money if you want to make writing your career. Technology is progressing at light speed, and new opportunities seem to crop up daily, like weeds. And, oh yes… Repeat after me: Marketing and promotion are my friends

Looking ahead, what can readers expect from your future projects? Are there any new genres or themes you’re excited to explore in your writing?

I’ve spent a lot of time in Grand, Montana over the past few years and I love those people. I have eight books set in the town, and two more stories are in the works. But my next contract with Tule is…I hesitate to say romantic comedy, because they’re western romances, but I went out of my way to create a setting for these books that’s going to stretch reader credibility a teensy bit. So, the setting is somewhat comedic, but the romances are genuine and will be filled with the usual scale of angst and emotion I love to explore. (I’d like to thank Tule for taking a chance on a project that I’m enthusiastic about, because as I said earlier, I prefer my writing to stand apart from the trends.) 

BONUS: What is one book that you would consider to be your comfort read that you will always reach for?

One?!? Tule has tons of great comfort reads. But Megan Crane’s Most Dangerous Cowboy (formerly Cody) is a winner for me. 


About the Author.

USA Today Bestselling Author Paula Altenburg lives in rural Nova Scotia, Canada with her husband and two sons. A former aviation and aerospace professional, Paula now writes contemporary romance and fantasy with romantic elements. You can connect with her at www.paulaaltenburg.com.


Tule Author Kate Moore shares a snippet of her Tule debut with The Lady and the Thief

Hello Tule Friends!

If we haven’t met, I’m Kate Moore, a new-to-Tule author of sweet historical romances set in England. Thanks for stopping by.

Today, I’m celebrating my first release from Tule, The Lady and the Thief, Book 1 of the Duke’s Men Series. The series follows three former ‘lost boys’ of London as they discover their true identities and become the men they were meant to be with a little help (that is love) from three strong, independent women. As boys, they lived on the rooftops of a dark London rookery until their leader, Kit Jones, reunited with his family, and assumed his true place in the world as the Duke of Wenlocke. 

In this series I’ve loved playing with unlikely lovers from contrasting worlds, orphans finding unexpected fortune, and plans interrupted by disaster. Plus, writing these books has been yet another excuse for me to dive into London’s layers of history, starting with the spectacular fire of October, 1834 that burned down the old Houses of Parliament and paved the way for the iconic building we now see. You can see what the aftermath of the fire looked like at my website. 

The Lady and the Thief begins when fearless Viv Bradish, an aspiring writer, tries to take on a pickpocket in a scandalous London street. Here’s a snippet:

London, April 1835

Lark ducked into a shadowy by-street off the Strand. A narrow slit of fading blue to the west where the street rejoined the main thoroughfare told him the shops would not close for an hour or more. He fingered the ring in his pocket. He had expected the ring to trigger a memory of his mother, but the experiment failed. Now, as he had promised, he was to meet his former partner, Rook, at the meeting place Rook chose.

Babylon Street, as infamous for the display of erotic prints in its shop windows as for the grime on its cobbles, was a street where the clumsiest of pickpockets could do a prig. Even coppers stopped to stare at print shop windows, the target of all the proper souls of London’s Anti-Vice Society. As Lark slipped into a doorway to wait for Rook, his gaze caught on a chunk of clear ethereal-blue sky, where no sky should be, on the dirty stones in front of Number 36.

The days when he and Rook and all of the lost boys had roamed the rooftops of London under the sky with Boy, their leader, were long gone. Lark and Rook had stayed firmly on the ground for years, never speaking of old days or old friends. Even now when Lark had ended their partnership. For Rook, London offered an endless supply of gulls, unwary or distracted enough to give up the contents of their pockets. But Lark had investments now and money in Hammersley’s Bank, and a new set of rooms not far from Regent’s Park.

Lark shook off the unwanted recollections of his old companions. Ten years had passed since he’d left them behind. What appeared to be a piece of sky was merely a woman in a fashionable blue dress. In Babylon Street that dress made her a mark.

The mark stretched out one feminine gloved hand over the display of dusty books in front of Number 36. A bag in rich blue velvet dangled from her wrist on thin gold cords. From the tautness of the cords, Lark put the bag’s weight at two pounds. The lady had come prepared to shop, and the titles on the sagging shelf above the pavement appeared to engross her. Lark should warn her that she was tempting fate. Rook made a pass behind her, close enough to brush against her skirts. She never broke her trance-like concentration. Rook would pass again. He glanced at Lark for a signal, which Lark refused to give. He was there to persuade Rook to quit the game and take up some legitimate enterprise.

Lark looked up and down the street, assessing the scene. The usual mix of London’s citizens passed by, tradesmen and gentlemen, ladies and drabs. People who knew the neighborhood used the by-street to go about their business more quickly than the crowded Strand permitted. Other persons, the ones Rook watched for, came into the street drawn by its reputation for radical politics and erotic prints. The mark remained absorbed in her book. No doubt Rook pegged her as an easy prig.

Lark had his doubts. In the past, his job had been to read the mark and signal a yes or no to Rook. He gave the woman a more thorough scrutiny. The vivid freshness of her appearance in the grimy street was a mystery. She was more fit for Regent Street than for her sordid surroundings. Her gown of figured blue silk had the nipped waist and full skirts of the current fashion. A short dove-colored cape covered her from shoulder to waist. A plain close-fitting bonnet concealed her face, and made it impossible to guess her age. His mind rapidly calculated the sums she must have paid for fabric and dressmaker, shoes, and petticoats. Unlike the other women in the street, she appeared to be alone. He didn’t like it. Going unaccompanied to one of London’s most infamous streets spoke of bold independence.

A sign above Number 36 read SCHOOL BOOKS. Lark wondered whether the lady’s eyes had widened as she read the actual titles of the volumes on that hanging shelf. He knew them well. She tipped a book free of its neighbors and held it open in one palm. With the movement of her arm, the heavy purse slid into the crook of her elbow. That bag bothered Lark. The bend in her arm would make Rook’s job harder, but the temptation was great, especially as the lady’s concentration on her book was deep. With her free hand she turned the pages.

Lark glanced up and down the street again. Nothing looked amiss. He did not see any other fellows on the game. A girl passed with a tray of flowers on her head, and a barefoot boy teased a dog with a stick. The blue of the mark’s dress and the memories she stirred were reason enough to warn Rook off. Lark caught Rook’s eye and shook his head.

Rook went into his act anyway. Rook saw only a pigeon, and pigeons were made to be plucked. Coming along the pavement from the north, he pulled a bottle from his patched greasy coat, took a swig, and lurched forward. His boots, caked in river muck gave off a noxious stench that made people swerve into the street to avoid him. This time when he reached the mark, he slammed into her with his left shoulder, spinning her round. She dropped the book with a startled cry, stumbling back against the hanging shelves and flinging out a hand to catch hold of something. The purse slid down to her wrist. Rook snagged it and staggered on, bent low to the ground, dropping his bottle.

The dropped bottle was Lark’s old cue to enter the scene. He stepped out of the doorway and strode forward. “Miss, may I help? You look …” His voice faltered as he caught sight of her face. Nothing had prepared him for the effect of large, startled dark eyes above cheeks of pearl and roses.

Her dark glance flicked his way and swung back to Rook’s retreating figure. Her expression changed. She righted herself and reached under her short cape.

“Miss?” Lark needed to draw her attention to him. “Has something overset you?”

“No, thank you, I’ve got this.” From under her cape, she drew out a small pistol and pointed it toward Rook. Lark stared at the short-barreled gun, his thoughts scattering like dry leaves in a breeze. It was a Toby, a muff pistol with silver and gold chasings, expensive like everything about the mark. He’d seen such a gun in a shop on Snow Hill, but never in a lady’s hand.

“Stop, thief!” She leveled the barrel at Rook with a steady hand. “I’ll shoot,” she cried, cocking the firing pin with her thumb.

Lark stepped into her line of sight as an approaching cab pulled up beside him. The rumble of iron wheels on cobbles filled his ears. Her finger squeezed the trigger. A hot searing pain bloomed on his right side, and he pressed a gloved hand to his ribs. He had been right to distrust the lay. The lady was not the mark she appeared to be.

“Oh dear.” The woman, not much more than a girl really, lowered the gun. Lark doubted that she was a day over twenty. Her eyes were the deep brown of Turkish coffee, he thought irrelevantly. “How bad is it?” she asked. “Did the bullet lodge? Are you bleeding much?”

“Hard to tell,” he said. It cost him a sharp twinge to speak. “What were you thinking?”

“I might ask you the same. I meant to shoot the thief, not you.” She tucked the pistol away under her cape, and stepped forward. “Why did you come between us?”

“To be of assistance. I could have …” He couldn’t feel blood, just the burning sensation in his side, the sting of burned powder in his nose, and an unaccountable wobbliness in his legs.

“Chased him? I doubt it. I’m sure he’s disappeared across the Strand by now.” Her eyes had a look of disappointment. Something she wanted had eluded her.

A sudden spurt of anger heated him. He suspected that the heavy purse had been a decoy, and he didn’t know whether he was angrier at her or at Rook. “Are you mad?” he demanded. “What lady fires a pistol in a public street? Even the Peelers don’t shoot a man.”

She shot him a glare. “I came prepared. Never mind. Let me see what’s happened to you.” She stepped right up to him and gently lifted his hand away from his side. He caught the fragrance of her, something fresh and floral.

“You are bleeding,” she said. Her eyes were earnest now, full of concern.

Lark suddenly knew what verse-writing saps meant about drowning in a pair of eyes.

“I know someone who can help.”

“A good tailor, I hope. You’ve likely ruined my favorite coat.”

“A surgeon. Let me take you to him. That’s my cab, you see.”

He had the oddest feeling that he had been played, that she had seen Rook coming and laid a trap. He couldn’t think clearly, and he had no way to reach Rook. He did want a surgeon, and no questions asked. The only sawbones in this neighborhood had shaking hands and wiped them on his filthy linen. Lark should play out the scene. He couldn’t help Rook now. Rook would wonder where he’d got to, but he’d explain later. “Don’t you want your book?”

“The Spanish Brothers?” She bent down, scooped it from the pavement, and piled it back on the shelf. “No. I don’t need it anymore. Will you tell me your name?”

“Lark…in,” he said. “Edward Larkin.” It was the name he planned to use in his new life, if his old life didn’t do him in first.

She nodded. “Vivian Bradish.”

Today, I’ll be giving away two e-Book copies of The Lady and the Thief to two lucky commenters below. Do you have a favorite city? Or a favorite neighborhood in a city? What do you love–the people, the food, the vibe? Winners will be chosen on June 15. Please check back to see if you’ve won.


About the Author.

Kate Moore writes romance set in Regency England or coastal California for readers who want the lift that sweet, triumphant romance gives when clear-headed heroines bring edgy loners into a circle of love and family. Her stories offer the heady rush of finding oneself unexpectedly falling in love and conquering all the odds against happily-ever-after with kindness, courage, and wit. A Golden Heart, Golden Crown, and Book Buyers Best award winner and three-time RITA finalist, Kate lives north of San Francisco with her surfer husband, their yellow Lab, toys for visiting grandkids, and miles of crowded bookshelves.


The Cowboy’s Claim: Author Sinclair Jayne’s finale to her Coyote Cowboys of Montana series

Hi Tuligans and Marietta fans,

I am so fired up that The Cowboy’s Claim—the fifth and last book in The Coyote Cowboys of Montana series will release on June 18th. I first roughed out the idea four years ago just as the pandemic started. I had two ideas—Special Forces soldiers peeling off to Marietta, Montana to do a good deed or make amends for a fallen friend, and the second idea was rodeo cowboy cousins who play a bride game during the Copper Mountain Rodeo to help their granddad. I brainstormed with my friend, Rusty Keller, March, 2020 at an Oregon beach just as the world started shuttering. It was such a weird and scary time that Tule suggested running with the fun, sexy rather mad cap idea of the Montana Rodeo Brides. I have to admit that series was fun, but organizing all the details and scenes and continuity was challenging because all three books happen simultaneously during the Copper Mountain Rodeo.  

But I couldn’t let go of my Coyote Cowboys. It took a few years to write the series, and I have loved this group of heroes—their fierce loyalty to each other and determination to honor their friend even as the task they face is the last thing they want to do. 

In The Cowboy’s Claim Calhoun Miller is tasked with solving a mystery in Marietta—something his fallen friend, Jace McBride, saw happen as a child. Calhoun arrives in Marietta, with little information, but he thrives on challenge. A sexy, anonymous hook up at Grey’s Saloon and the Graff Hotel is meant to blow off some steam before he starts his investigation. Instead, it leads him in a direction he never anticipated.

Sinclair Jayne's The Cowboy's Word book cover with cowboy leaning on fence.I was a little nervous writing this story because while it is utterly a romance, it also contains a central mystery. I have never written a mystery though I love to read them. I had been layering in little pieces of the mystery in each book—just a bread crumb in The Cowboy’s Word, a few more in Marry Me Please, Cowboy, The Cowboy’s Christmas Homecoming and The Cowboy Charm. But with the final book, I had to solve the sucker. And because I have a tendency to give in to impulse and inspiration, I make a lot of changes as I write. I knew it would be easy to derail the narrative. I think my very focused heroine, traveling doctor, Jory Quinn, who has always defied expectations, helped keep me organized and grounded.

Giving Jory and Calhoun a HEA in the most improbable circumstances, gave me such joy that I often had to get up from my desk and hop and dance around the last quarter of the book. Everything was coming together and yeah, bragging here, it felt more effortless than I had imagined it would.

I hope you get a chance to read The Cowboy’s Claim. I enjoyed writing the series so much that I took one of the characters who appears in the beginning of each book, Wolf Conte, and gave him a backstory and his own vow to Jace that will bring him to Last Stand Texas, another Tule town, this Christmas. Keep an eye out for Christmas with the Texas Cowboy coming this October!

For a fun GIVEAWAY, a question I have as I’ve been mulling ideas for future series—do you have a favorite hook or a fantasy profession—cowboy, soldier, doctor, entrepreneur, athlete, royal, celebrity, tycoon, vampire, shifter? Is there a job or profession you’ve always fantasized about? Comment below and we’ll pick one winner to receive a fun prize pack of goodies!

Thanks for your time and happy reading as we slide into summer.

Sinclair Jayne.


About the Author.

Sinclair Sawhney is a former journalist and middle school teacher who holds a BA in Political Science and K-8 teaching certificate from the University of California, Irvine and a MS in Education with an emphasis in teaching writing from the University of Washington. She has worked as Senior Editor with Tule Publishing for over seven years. Writing as Sinclair Jayne she’s published fifteen short contemporary romances with Tule Publishing with another four books being released in 2021. Married for over twenty-four years, she has two children, and when she isn’t writing or editing, she and her husband, Deepak, are hosting wine tastings of their pinot noir and pinot noir rose at their vineyard Roshni, which is a Hindi word for light-filled, located in Oregon’s Willamette Valley. Shaandaar!